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From Caravaggio and Goya to Ghirri and Atchugarry, 2023’s ARCA Lineup
Variety via Yahoo Canada News· 2 years ago“Caravaggio’s Shadow,” “Charlotte” and “Goya, Carrière and the Ghost of Buñuel” feature in the...
Featuring ‘Caravaggio,’ ‘Charlotte,’ ‘Dreaming Walls,’ Uruguay’s ARCA Kicks Off Second Edition
Variety via Yahoo Canada News· 2 years agoIt’s a fully in-person edition for the 2nd ARCA International Festival of Films on Arts in Uruguay...
Latido Films Turns 20
Variety via Yahoo Canada News· 1 year agoFew European arthouse-crossover film sales agents have better weathered the ebb and flow of international market dynamics than Madrid’s Latido Films,...
From Peekaboo’s ‘Best Friends Forever’ to Studio Kimchi’s ‘Zoey’s Oceans,’ 8 Spanish Projects at...
Variety via Yahoo Canada News· 2 years agoEight animated TV series projects involving Spanish companies will be presented to buyers and...
‘Fantomas’ Franchise Reboot Plotted by Wassim Beji, SND for Film, Series (EXCLUSIVE)
Variety via Yahoo Canada News· 2 years agoWassim Beji, the French producer of “Boite noire,” and SND have acquired the adaptation rights to...
Is Spanish Film Having a Moment?
Variety via Yahoo Canada News· 1 year agoRecently, there has been a consistent tide of well crafted and highly regarded films coming out of Spain. “Alcarràs,” “The Beasts,” “Lullaby,” “La...
Madrid’s Iberseries & Platino Industria Launches New Series Co-Production & Financing Forum
Variety via Yahoo Canada News· 2 years agoBuoyed by the success of last year’s one-to-one networking sessions, Madrid’s 2nd Iberseries &...
The greatest Mexican filmmaker you've never heard of
LA Times via Yahoo Canada News· 10 months agoThe Three Amigos are superfans. Now, Arturo Ripstein, Mexico's legendary giant of independent cinema, is getting his due with an essential L.A. retrospective.
Alejandro G. Iñárritu answers critics of his new film: 'There's a kind of racist undercurrent'
LA Times via Yahoo Canada News· 2 years agoThe Oscar winning director's three-hour Netflix film, 'Bardo,' has divided audiences and met with sharp criticism at the Venice and Telluride film festivals.